The evolution of genre and animation in the past two decades of film

The highly anticipated official Season 3 run for Rick and Morty begins this Sunday, and with that in mind, the question of when animated TV shows geared toward adults took off in popularity came to mind as well. Of course, it can always be argued that people of all ages can enjoy TV cartoons, even if they are directed toward children. Disney, for example, had a few mildly risque shorts that dealt with themes of alcohol and prohibition, as well as some sexuality. She did not appear on television until around

The evolution of genre and animation in the past two decades of film

As opposed to the three-camera setup found in most TV studios, single-camera is shot like most films, with traditionally cinematic shots and angles storyboarded like any movie.

While this one characteristic is what separates the two classifications of situation comedy, their differences lie far beyond how many cameras are used to film them, allowing a different type of screenwriting to take hold.

For one, the more cinematic style of shooting lends a more, well, cinematic style to the sitcom.

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Without a laugh track to tell you where the punchlines are and when to laugh, and coupled with the slower, quieter filmic approach, the humor of single-camera sitcoms presents itself in a completely different way.

Just as good characters in comedy can be indicated by lines that are only funny because they were spoken by that particular character, the single-camera environment sets a tone and becomes a place where jokes are only funny because they were specifically said within them.

This also allows the humor to be more subtle—the slightest roll of the eyes can be caught in a close-up reaction shot and sell the same kind of laugh that a character hammily mugging to the audience in a three-camera sitcom would make.

Rather than feel like an independent film, single-camera sitcoms can resemble screwball comedies. The cult favorite Arrested Development is a prime example of this and did what The Simpsons and other animated series shows allowed to bypass three-camera setups without raising any eyebrows discovered they could do fifteen years earlier—the rapid-fire delivery of jokes and scenes and locations.

A standard episode of a show like Arrested Development or 30 Rock has an incredible amount of scenes when compared to a three-camera sitcom like Friends. These shows in effect become live-action cartoons, embracing and indulging in the lack of boundaries a three-camera set inhibits on scripts.

Why are three-camera setups inhibiting and typically averse to subtle forms of humor? This is a fundamentally different storytelling medium than the much more cinematic single-camera style. YouTube is full of clips of multi-cam shows like The Big Bang Theory with the laugh track edited out and they are fascinating to watch.

As the YouTube clips amusingly convey, talking like this in real life would make you sound like a crazy person. But three-camera actors must perform this way, and three-camera writers must likewise conform their scripts.

Three-cam without laugh track: The limited locations of a three-camera sitcom also derive from its theater-like stage. Only so many sets can be built and fit into a single studio. Usually there is a bar or a diner in a friends and often, workplace and family comedy where everybody hangs out, just to keep things visually interesting.

A show could also employ a limited exterior set portraying the outside of their house or bar. In general, though, ninety percent of a given multi-cam episode will take place in the same handful of sets. Single-camera shows can shoot on location, or at the very least use different angles to make the same set feel fresh.

So not only are they capable of several more scenes than their three-camera counterparts, they can place these scenes in a multitude of locations.

The evolution of genre and animation in the past two decades of film

This can expand the sense of the world the show occupies and ground it, or inversely add to its cartoonish energy. A comedy like Arrested Development could take place in a California apartment complex, Iraq, on a boat, in a magic shop, at the beach and in Reno, Nevada, all in the same episode More scenes also allow for more storylines, and more storylines allow for more characters.

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Similarly, a multi-cam script might include a primary A-plot, a secondary B-plot, and perhaps a tertiary C-plot, whereas a single-cam could include A, B, C, D, and E plots and give them all more heft and substance.

Another trend since Friends helped sitcoms usher in the single-cam revolution: But it was even earlier, inwhen the original U. While the characters frequently broke the fourth wall, audiences were drawn forth within it. Why have single-camera comedies only exploded now if they provide such an interesting alternative to multi-camera studio sitcoms?

The biggest reason, as always, comes down to money. Shooting on tape with a handful of sets was always much cheaper than shooting cinematically. But digital video has come a long way and is now at a point where it is cheap enough and good looking enough to make single-cam as viable if not more viable an option as multi-cam.Film History by Decade: Select one of the decade sections below for movie history, or select an individual year (see Greatest Films - by Year).If you're interested in the history of film by genre type, visit the section on Film Genres, or by non-genre film category, visit the section on Non-Genre Film Categories.

Fantasia received two Special Awards for the film’s outstanding contributions to the advancement of the use of sound in motion pictures as well as its unique achievement in the creation of a new form of visual music widening the scope of the motion picture as entertainment and as an art form.

When one reflects on the past two decades of film, many magnificent movies have been put into production. Theyre has been ground-breaking developments in all of the different genre, not to mention in animation and other aspects of film. The Evolution of Genre and Animation in the Past Two Decades of Film PAGES 2.

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The evolution of genre and animation in the past two decades of film

Since its inception in the early ’s and commercial availability in the late ’s the evolution of the television is interesting. Although it seems like a world away, it has only been in recent years that the technology has changed drastically. has been a year of massive growth for Disney’s animation house.

Between Zootopia and Moana, we have two instant hits aimed at young audiences, that are championing culturally relevant and. The development of motion picture complexity has been driven by a continuing technological evolution, ignited and manipulated by human initiative and inventiveness, which has afforded filmmakers the opportunity to practice a more complex craft to tell more complex stories.

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